As a public school teacher, I spend time with young children who are learning their alphabet, vowels and consonants, and how to pronounce words. Of course, they don’t need to know this to talk. We don’t learn to talk by studying consonants. We learn to talk by being around talking people. But to write and read, children need to learn the grammar of the English language.
But teaching English does not end in the 1st grade. This year, my son Elijah brought home a mural that showed that he had moved to the next step after grammar. He had combined those consonants and vowels into a story. Complete with pictures, it showed that he could do more then string words together into sentences. He could use those letters to create something that had never existed before. A story about himself and me.
At some point, music students must cross this same divide where their piano playing moves from a recitation of notes to the performance of a song.
Music, like English is made up of its own grammar. It is called music notation. In place of consonants, vowels and verbs, notation includes the notes, and rests, sharps and flats to communicate how a song should be played or sung.
The system we have and us for writing music developed over many centuries. But it is the means to an end, and not an end in itself. When a melody gets written down, only the surface elements are transmitted: pitch, and very bald rhythm. And if it is all that is used to communicate music, as a musician you are simply parroting the notation, like a 1st grader reading a sentence.
In her book “Creative Hymn Singing,” Alice Parker uses singing to describe playing the song, rather then reciting the notes. She says
“For millenia, music was transmitted only aurally; that is, from parent to child, from one village to another. A melody transmitted aurally keeps its tempo, pulse, pitches and phrases with all their subtlest inflections, to be modified as desired by the next singer.” – Alice Parker, Creative Hymn Singing, p. 6
In other words, the song is not a stoic representation of notes and rests. It lives and breathes. As players or singers, we must wrestle with the song, tapping into our own creativity to own the song for ourselves.